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Draft:Paul Arnold: Difference between revisions
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On the plus side, if one of us is suffering a creative block, the other can often add to the composition and provide a much needed spark to kick start the creative process again. With there being two of us, when we get very busy and the workload is enormous, we can multi task and work independently. As all of our music is performed live, it doesn’t matter if the mix of our mock-ups sounds inconsistent; the final recording process irons out that particular problem. | On the plus side, if one of us is suffering a creative block, the other can often add to the composition and provide a much needed spark to kick start the creative process again. With there being two of us, when we get very busy and the workload is enormous, we can multi task and work independently. As all of our music is performed live, it doesn’t matter if the mix of our mock-ups sounds inconsistent; the final recording process irons out that particular problem. | ||
'''You are most famous for your score for ''[[Primal]]''. How did you get involved in that project?''' | '''You are most famous for your score for ''[[cambridge:Primal:Primal|Primal]]''. How did you get involved in that project?''' | ||
As they say, it’s who you know in this industry!! Barn and I used to run the audio department at Sony Cambridge up until we set up Bob and Barn Ltd in June 2001. Thankfully, the relationship didn’t take too much of a dent when we left and they asked us to still score the game which we were delighted to do. | As they say, it’s who you know in this industry!! Barn and I used to run the audio department at Sony Cambridge up until we set up Bob and Barn Ltd in June 2001. Thankfully, the relationship didn’t take too much of a dent when we left and they asked us to still score the game which we were delighted to do. | ||